The leader of the legendary Skatalites, tenor saxophonist Tommy McCook was among the most innovative and influential Jamaican musicians of his generation, a prime catalyst behind the evolution and international popularity of ska and reggae. Born in 1932, McCook learned to play sax while attending Kingstons Alpha Cottage School, an institution for wayward boys; upon exiting the school at the age of 14, he toured with the dance bands of Eric Deans and Roy Coburn, emerging as a highly skilled jazz player. Between the late 40s and early 50s, he also frequently collaborated with the famed Count Ossie, lending his talents alongside those of the Rastafarian hand-drummers and chanting vocalists who comprised Ossies group. In 1954 McCook relocated to the Bahamas to join a dance band there, and in the years to follow his mastery of jazz became increasingly pronounced. McCook did not return return to Jamaica on a permanent basis until 1962, arriving in time to help push the developing ska sound to the next level. In 1963, he was approached by Studio One musical director Jackie Mittoo to lead a new group he was forming dubbed the Skatalites; McCook initially declined the offer, but by mid-1964 he accepted the role of bandleader, drawing on his extensive knowledge of jazz and R&B to add distinctive new dimensions to their sound. Though existing only 14 months, the Skatalites were the quintessential ska band of their time, backing every major vocalist and producing an astounding amount of prime instrumental material. In the wake of the groups demise, McCook founded the Supersonics, who were soon installed as the house band at Duke Reids Treasure Isle studio; the most sought-after studio unit of the rock steady era, they appeared on classic hits from artists including Alton Ellis, Justin Hinds and the Techniques.