This duo is more about sound exploration, they are interested in what sounds you can create with a saxophone and a drum set. Leimgruber is really spectacular to listen to, his extended techniques, the tongue slaps, the muffled sounds he creates holding his sax to his calf, or when he simply tries to get as peculiar tones as possible out of his mouthpiece. Turner treats his drum set rather than another solo instrument, he has a lot in common with Paul Lovens, but he is even more minimal. Sometimes he and Leimgruber sound like a sax-sax-duo. “At the Church Path” is a cacophony of seal cries during feeding time – and it is Turner - who looks like a mixture of a pool attendant and a zookeeper - who elicits these sounds of his drum set.